Manalive is a novel by G.K. Chesterton, first published in 1912. The story is about a man named Innocent Smith who arrives at a boarding house and proceeds to turn the lives of its inhabitants upside down with his eccentric and exuberant behavior. The novel is a blend of comedy, mystery, and fantasy, and is considered one of Chesterton's most...More
Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, Catholic theologian and apologist, debater, and mystery writer.
Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, Catholic theologian and apologist, debater, and mystery writer.
Book Summary
Manalive is a novel by G.K. Chesterton, first published in 1912. The story is about a man named Innocent Smith who arrives at a boarding house and proceeds to turn the lives of its inhabitants upside down with his eccentric and exuberant behavior. The novel is a blend of comedy, mystery, and fantasy, and is considered one of Chesterton's most imaginative works. The story is full of wit, humor, and irony, and it explores themes of identity, morality, and the nature of good and evil. The novel is a commentary on the human condition, and it reflects Chesterton's belief in the importance of living life with passion and purpose. It also has a strong element of satire, in which Chesterton satirizes the materialism, bureaucracy, and the general apathy of the society.