MARY ERSKINE
A Franconia Story

PREFACE

The development of the moral sentiments in the human heart, in early life,—and every thing in fact which relates to the formation of character,—is determined in a far greater degree by sympathy, and by the influence of example, than by formal precepts and didactic instruction. If a boy hears his father speaking kindly to a robin in the spring,—welcoming its coming and offering it food,—there arises at once in his own mind, a feeling of kindness toward the bird, and toward all the animal creation, which is produced by a sort of sympathetic action, a power somewhat similar to what in physical philosophy is called induction. On the other hand, if the father, instead of feeding the bird, goes eagerly for a gun, in order that he may shoot it, the boy will sympathize in that desire, and growing up under such an influence, there will be gradually formed within him, through the mysterious tendency of the youthful heart to vibrate in unison with hearts that are near, a disposition to kill and destroy all helpless beings that come within his power. There is no need of any formal instruction in either case. Of a thousand children brought up under the former of the above-described influences, nearly every one, when he sees a bird, will wish to go and get crumbs to feed it, while in the latter case, nearly every one will just as certainly look for a stone. Thus the growing up in the right atmosphere, rather than the receiving of the right instruction, is the condition which it is most important to secure, in plans for forming the characters of children.

It is in accordance with this philosophy that these stories, though written mainly with a view to their moral influence on the hearts and dispositions of the readers, contain very little formal exhortation and instruction. They present quiet and peaceful pictures of happy domestic life, portraying generally such conduct, and expressing such sentiments and feelings, as it is desirable to exhibit and express in the presence of children.

The books, however, will be found, perhaps, after all, to be useful mainly in entertaining and amusing the youthful readers who may peruse them, as the writing of them has been the amusement and recreation of the author in the intervals of more serious pursuits.

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JEMMY.

Malleville and her cousin Phonny generally played together at Franconia a great part of the day, and at night they slept in two separate recesses which opened out of the same room. These recesses were deep and large, and they were divided from the room by curtains, so that they formed as it were separate chambers: and yet the children could speak to each other from them in the morning before they got up, since the curtains did not intercept the sound of their voices. They might have talked in the same manner at night, after they had gone to bed, but this was against Mrs. Henry's rules.

One morning Malleville, after lying awake a few minutes, listening to the birds that were singing in the yard, and wishing that the window was open so that she could hear them more distinctly, heard Phonny's voice calling to her.

"Malleville," said he, "are you awake?"

"Yes," said Malleville, "are you?"

"Yes," said Phonny, "I'm awake—but what a cold morning it is!"

It was indeed a cold morning, or at least a very cool one. This was somewhat remarkable, as it was in the month of June. But the country about Franconia was cold in winter, and cool in summer. Phonny and Malleville rose and dressed themselves, and then went down stairs. They hoped to find a fire in the sitting-room, but there was none.

"How sorry I am," said Phonny. "But hark, I hear a roaring."

"Yes," said Malleville; "it is the oven; they are going to bake."

The back of the oven was so near to the partition wall which formed one side of the sitting-room, that the sound of the fire could be heard through it. The mouth of the oven however opened into another small room connected with the kitchen, which was called the baking-room. The children went out into the baking-room, to warm themselves by the oven fire.

"I am very glad that it is a cool day," said Phonny, "for perhaps mother will let us go to Mary Erskine's. Should not you like to go?"

"Yes," said Malleville, "very much. Where is it?"

The readers who have perused the preceding volumes of this series will have observed that Mary Bell, who lived with her mother in the pleasant little farm-house at a short distance from the village, was always called by her full name, Mary Bell, and not ever, or scarcely ever, merely Mary. People had acquired the habit of speaking of her in this way, in order to distinguish her from another Mary who lived with Mrs. Bell for several years. This other Mary was Mary Erskine. Mary Erskine did not live now at Mrs. Bell's, but at another house which was situated nearly two miles from Mrs. Henry's, and the way to it was by a very wild and unfrequented road. The children were frequently accustomed to go and make Mary Erskine a visit; but it was so long a walk that Mrs. Henry never allowed them to go unless on a very cool day.

At breakfast that morning Phonny asked his mother if that would not be a good day for them to go and see Mary Erskine. Mrs. Henry said that it would be an excellent day, and that she should be very glad to have them go, for there were some things there to be brought home. Besides Beechnut was going to mill, and he could carry them as far as Kater's corner.

Kater's corner was a place where a sort of cart path, branching off from the main road, led through the woods to the house where Mary Erskine lived. It took its name from a farmer, whose name was Kater, and whose house was at the corner where the roads diverged. The main road itself was very rough and wild, and the cart path which led from the corner was almost impassable in summer, even for a wagon, though it was a very romantic and beautiful road for travelers on horseback or on foot. In the winter the road was excellent: for the snow buried all the roughness of the way two or three feet deep, and the teams which went back and forth into the woods, made a smooth and beautiful track for every thing on runners, upon the top of it.

Malleville and Phonny were very much pleased with the prospect of riding a part of the way to Mary Erskine's, with Beechnut, in the wagon. They made themselves ready immediately after breakfast, and then went and sat down upon the step of the door, waiting for Beechnut to appear. Beechnut was in the barn, harnessing the horse into the wagon.

Malleville sat down quietly upon the step while waiting for Beechnut. Phonny began to amuse himself by climbing up the railing of the bannisters, at the side of the stairs. He was trying to poise himself upon the top of the railing and then to work himself up the ascent by pulling and pushing with his hands and feet against the bannisters themselves below.

"I wish you would not do that," said Malleville. "I think it is very foolish, for you may fall and hurt yourself."

"No," said Phonny. "It is not foolish. It is very useful for me to learn to climb." So saying he went on scrambling up the railing of the bannisters as before.

Just then Beechnut came along through the yard, towards the house. He was coming for the whip.

"Beechnut," said Malleville, "I wish that you would speak to Phonny."

"Is it foolish for me to learn to climb?" asked Phonny. In order to see Beechnut while he asked this question, Phonny had to twist his head round in a very unusual position, and look out under his arm. It was obvious that in doing this he was in imminent danger of falling, so unstable was the equilibrium in which he was poised upon the rail.

"Is not he foolish?" asked Malleville.

Beechnut looked at him a moment, and then said, as he resumed his walk through the entry,

"Not very;—that is for a boy. I have known boys sometimes to do foolisher things than that."

"What did they do?" asked Phonny.

"Why once," said Beechnut, "I knew a boy who put his nose into the crack of the door, and then took hold of the latch and pulled the door to, and pinched his nose to death. That was a little more foolish, though not much."

So saying Beechnut passed through the door and disappeared.

Phonny was seized with so violent a convulsion of laughter at the idea of such absurd folly as Beechnut had described, that he tumbled off the bannisters, but fortunately he fell in, towards the stairs, and was very little hurt. He came down the stairs to Malleville, and as Beechnut returned in a few minutes with the whip, they all went out towards the barn together.

Beechnut had already put the bags of grain into the wagon behind, and now he assisted Phonny and Malleville to get in. He gave them the whole of the seat, in order that they might have plenty of room, and also that they might be high up, where they could see. He had a small bench which was made to fit in, in front, and which he was accustomed to use for himself, as a sort of driver's seat, whenever the wagon was full. He placed this bench in its place in front, and taking his seat upon it, he drove away.

When the party had thus fairly set out, and Phonny and Malleville had in some measure finished uttering the multitude of exclamations of delight with which they usually commenced a ride, they began to wish that Beechnut would tell them a story. Now Beechnut was a boy of boundless fertility of imagination, and he was almost always ready to tell a story. His stories were usually invented on the spot, and were often extremely wild and extravagant, both in the incidents involved in them, and in the personages whom he introduced as actors. The extravagance of these tales was however usually no objection to them in Phonny's and Malleville's estimation. In fact Beechnut observed that the more extravagant his stories were, the better pleased his auditors generally appeared to be in listening to them. He therefore did not spare invention, or restrict himself by any rules either of truth or probability in his narratives. Nor did he usually require any time for preparation, but commenced at once with whatever came into his head, pronouncing the first sentence of his story, very often without any idea of what he was to say next.

On this occasion Beechnut began as follows:

"Once there was a girl about three years old, and she had a large black cat. The cat was of a jet black color, and her fur was very soft and glossy. It was as soft as silk.

"This cat was very mischievous and very sly. She was very sly: very indeed. In fact she used to go about the house so very slyly, getting into all sorts of mischief which the people could never find out till afterwards, that they gave her the name of Sligo. Some people said that the reason why she had that name was because she came from a place called Sligo, in Ireland. But that was not the reason. It was veritably and truly because she was so sly."

Beechnut pronounced this decision in respect to the etymological import of the pussy's name in the most grave and serious manner, and Malleville and Phonny listened with profound attention.

"What was the girl's name?" asked Malleville.

"The girl's?" repeated Beechnut. "Oh, her name was—Arabella."

"Well, go on," said Malleville.

"One day," continued Beechnut, "Sligo was walking about the house, trying to find something to do. She came into the parlor. There was nobody there. She looked about a little, and presently she saw a work-basket upon the corner of a table, where Arabella's mother had been at work. Sligo began to look at the basket, thinking that it would make a good nest for her to sleep in, if she could only get it under the clock. The clock stood in a corner of the room.

"Sligo accordingly jumped up into a chair, and from the chair to the table, and then pushing the basket along nearer and nearer to the edge of the table, she at last made it fall over, and all the sewing and knitting work, and the balls, and needles, and spools, fell out upon the floor. Sligo then jumped down and pushed the basket along toward the clock. She finally got it under the clock, crept into it, curled herself round into the form of a semicircle inside, so as just to fill the basket, and went to sleep.

"Presently Arabella came in, and seeing the spools and balls upon the floor, began to play with them. In a few minutes more, Arabella's mother came in, and when she saw Arabella playing with these things upon the floor, she supposed that Arabella herself was the rogue that had thrown the basket off the table. Arabella could not talk much. When her mother accused her of doing this mischief, she could only say "No;" "no;" but her mother did not believe her. So she made her go and stand up in the corner of the room, for punishment, while Sligo peeped out from under the clock to see."

"But you said that Sligo was asleep," said Phonny.

"Yes, she went to sleep," replied Beechnut, "but she waked up when Arabella's mother came into the room."

Beechnut here paused a moment to consider what he should say next, when suddenly he began to point forward to a little distance before them in the road, where a boy was to be seen at the side of the road, sitting upon a stone.

"I verily believe it is Jemmy," said he.

As the wagon approached the place where Jemmy was sitting, they found that he was bending down over his foot, and moaning with, pain. Beechnut asked him what was the matter. He said that he had sprained his foot dreadfully. Beechnut stopped the horse, and giving the reins to Phonny, he got out to see. Phonny immediately gave them to Malleville, and followed.

"Are you much hurt?" asked Beechnut.

"Oh, yes," said Jemmy, moaning and groaning; "oh dear me!"

Beechnut then went back to the horse, and taking him by the bridle, he led him a little way out of the road, toward a small tree, where he thought he would stand, and then taking Malleville out, so that she might not be in any danger if the horse should chance to start, he went back to Jemmy.

"You see," said Jemmy, "I was going to mill, and I was riding along here, and the horse pranced about and threw me off and sprained my foot. Oh dear me! what shall I do?"

"Where is the horse?" asked Beechnut.

"There he is," said Jemmy, "somewhere out there. He has gone along the road. And the bags have fallen off too. Oh dear me!"

Phonny ran out into the road, and looked forward. He could see the horse standing by the side of the road at some distance, quietly eating the grass. A little this side of the place where the horse stood, the bags were lying upon the ground, not very far from each other.

The story which Jemmy told was not strictly true. He was one of the boys of the village, and was of a wild and reckless character. This was, however, partly his father's fault, who never gave him any kind and friendly instruction, and always treated him with a great degree of sternness and severity.

A circus company had visited Franconia a few weeks before the time of this accident, and Jemmy had peeped through the cracks of the fence that formed their enclosure, and had seen the performers ride around the ring, standing upon the backs of the horses. He was immediately inspired with the ambition to imitate this feat, and the next time that he mounted his father's horse, he made the attempt to perform it. His father, when he found it out, was very angry with him, and sternly forbade him ever to do such a thing again. He declared positively that if he did, he would whip him to death, as he said. Jemmy was silent, but he secretly resolved that he would ride standing again, the very first opportunity.

Accordingly, when his father put the two bags of grain upon the horse, and ordered Jemmy to go to mill with them, Jemmy thought that the opportunity had come. He had observed that the circus riders, instead of a saddle, used upon the backs of their horses a sort of flat pad, which afforded a much more convenient footing than any saddle; and as to standing on the naked back of a horse, it was manifestly impossible for any body but a rope-dancer. When, however, Jemmy saw his father placing the bags of grain upon the horse, he perceived at once that a good broad and level surface was produced by them, which was much more extended and level, even than the pads of the circus-riders. He instantly resolved, that the moment that he got completely away from the village, he would mount upon the bags and ride standing—and ride so, too, just as long as he pleased.

Accordingly, as soon as he had passed the house where Phonny lived, which was the last house in that direction for some distance, he looked round in order to be sure that his father was not by any accident behind him, and then climbing up first upon his knees, and afterward upon his feet, he drew up the reins cautiously, and then chirruped to the horse to go on. The horse began to move slowly along. Jemmy was surprised and delighted to find how firm his footing was on the broad surface of the bags. Growing more and more bold and confident as he became accustomed to his situation, he began presently to dance about, or rather to perform certain awkward antics, which he considered dancing, looking round continually, with a mingled expression of guilt, pleasure, and fear, in his countenance, in order to be sure that his father was not coming. Finally, he undertook to make his horse trot a little. The horse, however, by this time, began to grow somewhat impatient at the unusual sensations which he experienced—the weight of the rider being concentrated upon one single point, directly on his back, and resting very unsteadily and interruptedly there,—and the bridle-reins passing up almost perpendicularly into the air, instead of declining backwards, as they ought to do in any proper position of the horseman. He began to trot forward faster and faster. Jemmy soon found that it would be prudent to restrain him, but in his upright position, he had no control over the horse by pulling the reins. He only pulled the horse's head upwards, and made him more uneasy and impatient than before. He then attempted to get down into a sitting posture again, but in doing so, he fell off upon the hard road and sprained his ankle. The horse trotted rapidly on, until the bags fell off, first one and then the other. Finding himself thus wholly at liberty, he stopped and began to eat the grass at the road-side, wholly unconcerned at the mischief that had been done.

Jemmy's distress was owing much more to his alarm and his sense of guilt, than to the actual pain of the injury which he had suffered. He was, however, entirely disabled by the sprain.

"It is rather a hard case," said Beechnut, "no doubt, but never mind it, Jemmy. A man may break his leg, and yet live to dance many a hornpipe afterwards. You'll get over all this and laugh about it one day. Come, I'll carry you home in my wagon."

"But I am afraid to go home," said Jemmy.

"What are you afraid of?" asked Beechnut.

"Of my father," said Jemmy.

"Oh no," said Beechnut. "The horse is not hurt, and as for the grist I'll carry it to mill with mine. So there is no harm done. Come, let me put you into the wagon."

"Yes," said Phonny, "and I will go and catch the horse."

While Beechnut was putting Jemmy into the wagon, Phonny ran along the road toward the horse. The horse, hearing footsteps, and supposing from the sound that somebody might be coming to catch him, was at first disposed to set off and gallop away; but looking round and seeing that it was nobody but Phonny he went on eating as before. When Phonny got pretty near to the horse, he began to walk up slowly towards him, putting out his hand as if to take hold of the bridle and saying, "Whoa—Dobbin,—whoa." The horse raised his head a little from the grass, shook it very expressively at Phonny, walked on a few steps, and then began to feed upon the grass as before. He seemed to know precisely how much resistance was necessary to avoid the recapture with which he was threatened.

"Whoa Jack! whoa!" said Phonny, advancing again. The horse, however, moved on, shaking his head as before. He seemed to be no more disposed to recognize the name of Jack than Dobbin.

"Jemmy," said Phonny, turning back and calling out aloud, "Jemmy! what's his name?"

Jemmy did not answer. He was fully occupied in getting into the wagon.

Beechnut called Phonny back and asked him to hold his horse, while he went to catch Jemmy's. He did it by opening one of the bags and taking out a little grain, and by means of it enticing the stray horse near enough to enable him to take hold of the bridle. He then fastened him behind the wagon, and putting Jemmy's two bags in, he turned round and went back to carry Jemmy home, leaving Malleville and Phonny to walk the rest of the way to Mary Erskine's. Besides their ride, they lost the remainder of the story of Sligo, if that can be said to be lost which never existed. For at the time when Beechnut paused in his narration, he had told the story as far as he had invented it. He had not thought of another word.