The Wizard is a novel by Henry Rider Haggard, first published in 1896. The Wizard is one of the many examples of imperialist literature. According to Rebecca Stott, author of the article “The Dark Continent: Africa as Female Body in Haggard’s Adventure Fiction,” Haggard's fiction is still popular today and attempts to expose a “cultural...More
Sir Henry Rider Haggard (22 June 1856 – 14 May 1925) was an English writer of adventure fiction set in exotic locations, predominantly Africa, and a pioneer of the lost world literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential.
During the 19th century, Haggard was one of many individuals who contributed to children's literature. Morton N. Cohen described King Solomon's Mines as a story that has "universal interest, for grown-ups as well as youngsters".
Rider Haggard's works have been criticised for their depictions of non-Europeans. Author and academic Micere Mugo wrote in 1973 that...More
Sir Henry Rider Haggard (22 June 1856 – 14 May 1925) was an English writer of adventure fiction set in exotic locations, predominantly Africa, and a pioneer of the lost world literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential.
During the 19th century, Haggard was one of many individuals who contributed to children's literature. Morton N. Cohen described King Solomon's Mines as a story that has "universal interest, for grown-ups as well as youngsters".
Rider Haggard's works have been criticised for their depictions of non-Europeans. Author and academic Micere Mugo wrote in 1973 that reading the description of "an old African woman in Rider Haggard's King Solomon's Mines had for a long time made her feel mortal terror whenever she encountered old African women."
Book Summary
The Wizard is a novel by Henry Rider Haggard, first published in 1896. The Wizard is one of the many examples of imperialist literature. According to Rebecca Stott, author of the article “The Dark Continent: Africa as Female Body in Haggard’s Adventure Fiction,” Haggard's fiction is still popular today and attempts to expose a “cultural and historical definition of white masculinity at its most rugged and its most terrified.”
The story is a third-person narrative that follows the journey of Reverend Thomas Owen as he seeks to carry out missionary work in south central Africa, specifically in the tribe of Amasuka. The novel starts in England in the parish of Reverend Thomas Owen and moves to South Central Africa, where the tribe of Amasuka (People of Fire) is located, which is where the majority of the novel takes place. While there, he encounters Hokosa, the chief of the Wizards who essentially wishes him to prove that his God is greater than their god through trials of lightning.