'Even before he had finished his lame and halting excuses, Herr Vollmer turned his back almost brusquely and laid down his portfolio with a smack upon the piano. The young lady had watched first the one and then the other. Then, as the old gentleman smacked down his portfolio, she spoke, suddenly, sharply, and imperatively, in German. The effect...More
Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator and author, primarily of books for young people. Pyle synthesized many traditional Robin Hood legends and ballads in this work, while toning them down to make them suitable for children.
In 1894, he began teaching illustration at the Drexel Institute of Art, Science, and Industry (now Drexel University). After 1900, he founded his own school of art and illustration named the Howard Pyle School of Illustration Art.
His 1883 classic publication The Merry Adventures of Robin Hood remains in print, and his other books frequently have medieval European settings, including a four-volume set on King Arthur. He is also well known for his illustrations of pirates, and...More
Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator and author, primarily of books for young people. Pyle synthesized many traditional Robin Hood legends and ballads in this work, while toning them down to make them suitable for children.
In 1894, he began teaching illustration at the Drexel Institute of Art, Science, and Industry (now Drexel University). After 1900, he founded his own school of art and illustration named the Howard Pyle School of Illustration Art.
His 1883 classic publication The Merry Adventures of Robin Hood remains in print, and his other books frequently have medieval European settings, including a four-volume set on King Arthur. He is also well known for his illustrations of pirates, and is credited with creating what has become the modern stereotype of pirate dress.
Book Summary
'Even before he had finished his lame and halting excuses, Herr Vollmer turned his back almost brusquely and laid down his portfolio with a smack upon the piano. The young lady had watched first the one and then the other. Then, as the old gentleman smacked down his portfolio, she spoke, suddenly, sharply, and imperatively, in German. The effect was magical.'